Þórdís’s practice is driven by material research as well as investigation of digital intimacy, post-humanism, science fiction and connection. She works in multiple mediums including installations, sculpture, paintings and video. Her installations evoke the interrelationship between man made materials and its effects on humans in a capitalist surroundings as well as the schemes and routines we implement to make sense of our world.

Playing with the properties of inorganic materials and her use of dichroic film, Zoëga has studied the digital aesthetics of our everyday life, dissected and displayed so as to reveal the interaction and the way we connect to each other in our modern world.